
It was a pretty easy choice, really: spend the afternoon at work; or duck out for a few hours and listen to Erykah Badu's new album
New Amerykah Part 2: Return Of The Ankh.
I'd happily choose the second option regardless of who else was attending the Badu listening session.
But having Erykah there to play the album back and offer up some pearls of wisdom on its creation? Game over.
I was amongst a relatively select bunch of people lucky enough to descend on The Hospital club in Covent Garden yesterday to listen to
Return Of The Ankh.
The session was hosted by Ms. Badu, who arrived at the venue late but apologetic, rocking a mighty fine top hat and ready to share her handy work with the people.
After a brief introduction from Erykah (during which she referred to the Part 1 of
New Amerykah as being
"left-brained" or
"logical" and the latest instalment being
"right-brained, or emotional")
the lights were dimmed and the listening commenced.
Clocking in at 12-odd tracks,
Return Of The Ankh features production from many of the same producers used in Part 1, including James Poyser, 9th Wonder, J-Dilla, Madlib, Georgia Anne Muldrow and Shafiq Husayn of SA-RA fame.
Early reports indicated a return to the
Baduizm sound on which Erykah built her name.
But the lady of the hour was quick to clarify that any similarity between her first album and her latest one are restricted solely to the feeling she had making them both, rather than how they sound.
So, how does the whole thing sound? Pretty damn ill, actually. On first impressions, there's no dead wood, and early stand outs are numerous.
Take 'Umm Hmm', which sees Madlib lace Erykah with a stellar beat, based on a loping funk break and punctuated by plucked strings and warm bass.
Then there's 'Love', where J-Dilla crafts yet another stunning musical back drop from beyond the grave, providing Erykah with the proper platform to do what she does best - sing her heart out.
Elsewhere, there's a few cuts there that will ring bells for hip hoppers. Sylvia Striplin's
'Can't Turn Me Away' forms the basis of 'Get Money', utilising the same break as the one Biggie and
Junior Mafia pillaged in the mid-90's for their recession-be-damned hit of the same name.
Likewise, 'Fall In Love' borrows heavily from Eddie Kendricks'
'Intimate Friends' (as used by Rhymefest and Common, as well as Alicia Keys).
For my money, it's the tracks mentioned above that provide the backbone for what sounds to be another jaw-dropping effort from Ms. Badu.
Top that off with the two (or three?) part album closer 'Out My Mind Just In Time' (which changes up in a manner rather reminiscent of another Badu stunner by the name of
'Green Eyes') and you've got a winner in my book.
Okay, so one listen definitely isn't enough to form a firm picture; but I'm pretty sure this will be there or there abouts when (if) I draw up my 'best of' 2010 list. Check the track listing (updated as of yesterday afternoon) along with some production details below:
New Amerykah Part 2: Return Of The Ankh
1. 20 Feet Tall (produced by Erykah Badu & 9th Wonder)
2. Window Seat (Erykah Badu & James Poyser)
3. Agitation (Erykah Badu & Shafiq Husayn of SA-Ra Creative Partners)
4. Get Money (Erykah Badu & Karieem Riggins)
5. Don't Be Long (Erykah Badu & Taarak)
6. Umm Hmm (Erykah Badu & Madlib)
7. Love (Erykah Badu & J-Dilla)
8. Lovin' Me (Unknown)
9. Fall In Love (Erykah Badu & Karieem Riggins)
10. Strawberry Insense [Instrumental] (Erykah Badu & Madlib)
11. Out My Mind Just In Time (Part 1) [Undercover Over-Lover] (Erykah Badu)
12. Out My Mind Just In Time (Part 2) (Erykah Badu & Georgia Anne Muldrow)
*Bonus Web-Only Track: Jump In The Air [feat. Lil' Wayne & Bilal] (Erykah Badu, RC Williams & Jahborn
New Amerykah Part 2: Return Of The Ankh is out at the end of March. To check out a video (of sorts) for first single (I think?)
'Window Seat', or listen to album track 'Strawberry Insence' produced by Madlib, head over to
Erykah Badu.com.